{"id":12522,"date":"2025-09-20T18:09:36","date_gmt":"2025-09-20T18:09:36","guid":{"rendered":"https:\/\/klaus-maresch.photography\/moje-zaliba-v-cernem-svetle-ve-fotografii\/"},"modified":"2025-09-20T18:09:36","modified_gmt":"2025-09-20T18:09:36","slug":"moje-zaliba-v-cernem-svetle-ve-fotografii","status":"publish","type":"post","link":"https:\/\/klaus-maresch.photography\/cs\/moje-zaliba-v-cernem-svetle-ve-fotografii\/","title":{"rendered":"Moje z\u00e1liba v \u010dern\u00e9m sv\u011btle ve fotografii"},"content":{"rendered":"

Od po\u010d\u00e1tku sv\u00fdch prvn\u00edch projekt\u016f ve fotografii mu\u017esk\u00fdch model\u016f<\/a> se zab\u00fdv\u00e1m ot\u00e1zkou, jak inscenovat fotografii tak, aby nejen zobrazovala, ale i vypr\u00e1v\u011bla p\u0159\u00edb\u011bhy a umo\u017e\u0148ovala pro\u017e\u00edvat n\u00e1lady. Jednou z m\u00fdch nejv\u011bt\u0161\u00edch v\u00e1\u0161n\u00ed je pou\u017e\u00edv\u00e1n\u00ed \u010dern\u00e9ho sv\u011btla<\/strong>. Toto speci\u00e1ln\u00ed sv\u011btlo m\u00e1 pro m\u011b n\u011bco hluboce magick\u00e9ho: m\u011bn\u00ed vn\u00edm\u00e1n\u00ed, odhaluje neviditeln\u00e9 a pono\u0159uje i zn\u00e1m\u00e9 motivy do zcela nov\u00e9, tajemn\u00e9 aury. Zvl\u00e1\u0161t\u011b r\u00e1d jsem mohl stav\u011bt na zku\u0161enostech fotografky Barbary Frommann. <\/p>\n

Zejm\u00e9na kdy\u017e pracuji s mu\u017esk\u00fdmi modely<\/strong>, r\u00e1d pou\u017e\u00edv\u00e1m \u010dern\u00e9 sv\u011btlo, abych jejich t\u011blesnost prom\u011bnil v n\u011bco cizokrajn\u00e9ho, fantastick\u00e9ho. Ve studiu mohu kontrolovan\u011b experimentovat, zatemnit m\u00edstnost a c\u00edlen\u011b pracovat s fluorescen\u010dn\u00edmi materi\u00e1ly. Pou\u017e\u00edvaj\u00ed se UV-reflexn\u00ed kontaktn\u00ed \u010do\u010dky<\/strong>, kter\u00e9 prom\u011b\u0148uj\u00ed pohled m\u00fdch model\u016f v d\u011bsivou, t\u00e9m\u011b\u0159 nadp\u0159irozenou z\u00e1\u0159i. Takov\u00e9 o\u010di nejsou pouh\u00fd efekt \u2013 dod\u00e1vaj\u00ed cel\u00e9mu portr\u00e9tu t\u00e9m\u011b\u0159 m\u00fdtickou hloubku, jako by byl div\u00e1k vta\u017een do jin\u00e9 dimenze. <\/p>\n

\u010cern\u00e9 sv\u011btlo ale ne\u017eije jen z mal\u00fdch detail\u016f, ale i ze hry na k\u016f\u017ei. Fascinuj\u00edc\u00edm m\u00e9diem je bodypainting s UV aktivn\u00edmi barvami<\/strong>. Kdy\u017e na nah\u00e9 nebo \u010d\u00e1ste\u010dn\u011b oble\u010den\u00e9 k\u016f\u017ei sv\u00fdch model\u016f nech\u00e1m vznikat vzory \u2013 jednou filigr\u00e1nsk\u00e9 linie, jindy velkoplo\u0161n\u00e9 ornamenty \u2013 p\u016fsob\u00ed to, jako by se t\u011blo samo stalo \u017eivouc\u00ed sochou ze sv\u011btla. Za norm\u00e1ln\u00edho sv\u011btla z\u016fst\u00e1v\u00e1 mnoh\u00e9 skryto, ale v UV z\u00e1\u0159i vystupuj\u00ed tvary jako runy, tetov\u00e1n\u00ed nebo tajemn\u00e9 znaky, kter\u00e9 vypr\u00e1v\u011bj\u00ed o jin\u00e9m sv\u011bt\u011b. To je obzvl\u00e1\u0161\u0165 l\u00e1kav\u00e9, proto\u017ee to na jedn\u00e9 stran\u011b zd\u016fraz\u0148uje t\u011blo, na druh\u00e9 stran\u011b ho odcizuje a stav\u00ed do um\u011bleck\u00e9ho kontextu. <\/p>\n

\u010cern\u00e9 sv\u011btlo pou\u017eit\u00e9 v Georgskapelle<\/h2>\n
\"Sebastian
Sebastian von Kempin jako d\u00e9mon v Dechenh\u00f6hle. Pou\u017eit\u00e9 \u010dern\u00e9 sv\u011btlo nech\u00e1v\u00e1 z\u00e1\u0159it jeho o\u010di a bodypainting. (Foto: Barbara Frommann)<\/figcaption><\/figure>\n

Krom\u011b pr\u00e1ce ve fotostudiu Br\u00e4hler m\u00e1m tak\u00e9 zvl\u00e1\u0161tn\u00ed vztah k historick\u00fdm prostor\u00e1m<\/strong> \u2013 p\u0159edev\u0161\u00edm ke Georgskapelle na Star\u00e9m h\u0159bitov\u011b v Bonnu<\/strong>. Tato kaple je m\u00edstem pln\u00fdm historie, ticha a sakr\u00e1ln\u00ed d\u016fstojnosti. Kdy\u017e v tomto prostoru pou\u017eiji \u010dern\u00e9 sv\u011btlo, vznikne kontrast, kter\u00fd m\u011b znovu a znovu fascinuje: star\u00e9 zdivo, kter\u00e9 i p\u0159i slab\u00e9m sv\u011btle d\u00fdch\u00e1 sv\u00e1 stalet\u00ed, a k tomu modern\u00ed, fluorescen\u010dn\u00ed efekty na t\u011blech model\u016f. Tento kontrast mezi histori\u00ed a futuristicky p\u016fsob\u00edc\u00ed z\u00e1\u0159\u00ed vytv\u00e1\u0159\u00ed obrazov\u00fd jazyk, kter\u00fd m\u00e1 n\u011bco neskute\u010dn\u00e9ho, t\u00e9m\u011b\u0159 sakr\u00e1ln\u00edho \u2013 jako by se duchov\u00e9 minul\u00fdch \u010das\u016f setk\u00e1vali s tvory z dosud nezn\u00e1m\u00e9 budoucnosti. <\/p>\n

Pr\u00e1ce s uranov\u00fdm sklem<\/strong>, kter\u00e9 pod UV sv\u011btlem tajemn\u011b fluoreskuje, p\u0159id\u00e1v\u00e1 dal\u0161\u00ed dimenzi. Jednoduch\u00e1 sklenice, kterou d\u00e1te modelovi do rukou nebo ji postav\u00edte do pozad\u00ed, za\u010dne z\u00e1\u0159it jako artefakt ze zapomenut\u00e9 epochy. Spole\u010dn\u011b s UV kontaktn\u00edmi \u010do\u010dkami a bodypaintingem vznik\u00e1 celkov\u00fd obraz, kter\u00fd u\u017e nen\u00ed pouhou fotografi\u00ed, ale inscenac\u00ed, vypr\u00e1v\u011bn\u00edm, t\u00e9m\u011b\u0159 divadeln\u00ed hrou ze sv\u011btla. <\/p>\n

Na t\u00e9to pr\u00e1ci m\u011b tak nadchne jej\u00ed v\u0161estrannost. Ve fotostudiu Br\u00e4hler ve Wuppertalu<\/a> m\u00e1m naprostou kontrolu: Mohu p\u0159esn\u011b hr\u00e1t se st\u00edny, \u00fahly a barvami, m\u011bnit intenzitu \u010dern\u00e9ho sv\u011btla a efekty postupn\u011b budovat. V kapli se naopak v\u00edce nech\u00e1v\u00e1m un\u00e1\u0161et prostorem. Tam p\u016fsob\u00ed st\u00edny hloub\u011bji, kontury drsn\u011bji a \u010dern\u00e9 sv\u011btlo se rozv\u00edj\u00ed jinak, proto\u017ee interaguje s architekturou. Vznikaj\u00ed tak obrazy, kter\u00e9 neinscenuj\u00ed jen modely, ale i auru samotn\u00e9ho m\u00edsta. <\/p>\n

\u010cern\u00e9 sv\u011btlo prom\u011b\u0148uje modely v d\u00e9mony<\/h3>\n

\u010cern\u00e9 sv\u011btlo je pro m\u011b n\u00e1stroj transformace<\/strong>. Prom\u011b\u0148uje mlad\u00e9 mu\u017ee v cool up\u00edry, chtiv\u00e9 d\u00e9mony nebo horkokrevn\u00e9 vlkodlaky a z\u00e1rove\u0148 je nech\u00e1v\u00e1 vypadat siln\u00e9, zraniteln\u00e9, smysln\u00e9 a cizokrajn\u00e9. Zve div\u00e1ka, aby se vydal na cestu do nezn\u00e1m\u00fdch sf\u00e9r. <\/p>\n

Nakonec mi nejde o to, abych pou\u017e\u00edval efekty pro efekty samotn\u00e9. Sp\u00ed\u0161e chci s \u010dern\u00fdm sv\u011btlem vytv\u00e1\u0159et atmosf\u00e9ru<\/strong>, kter\u00e1 vyvol\u00e1v\u00e1 emoce \u2013 fascinaci, \u00fa\u017eas, mo\u017en\u00e1 i trochu nepohodl\u00ed. Proto\u017ee pr\u00e1v\u011b v t\u00e9to sm\u011bsi spo\u010d\u00edv\u00e1 pro m\u011b s\u00edla fotografie: Nem\u00e1 se jen l\u00edbit, ale i vyz\u00fdvat, kl\u00e1st ot\u00e1zky a podn\u011bcovat fantazii. <\/p>\n

\u010cern\u00e9 sv\u011btlo je pro to m\u016fj nejobl\u00edben\u011bj\u0161\u00ed n\u00e1stroj \u2013 tajemn\u00fd, magick\u00fd a v\u017edy trochu nep\u0159edv\u00eddateln\u00fd.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Od po\u010d\u00e1tku sv\u00fdch prvn\u00edch projekt\u016f ve fotografii mu\u017esk\u00fdch model\u016f se zab\u00fdv\u00e1m ot\u00e1zkou, jak inscenovat fotografii tak, aby nejen zobrazovala, ale i vypr\u00e1v\u011bla p\u0159\u00edb\u011bhy a umo\u017e\u0148ovala pro\u017e\u00edvat n\u00e1lady. Jednou z m\u00fdch nejv\u011bt\u0161\u00edch v\u00e1\u0161n\u00ed je pou\u017e\u00edv\u00e1n\u00ed \u010dern\u00e9ho sv\u011btla. Toto speci\u00e1ln\u00ed sv\u011btlo m\u00e1 pro m\u011b n\u011bco hluboce magick\u00e9ho: m\u011bn\u00ed vn\u00edm\u00e1n\u00ed, odhaluje neviditeln\u00e9 a pono\u0159uje i zn\u00e1m\u00e9 motivy do […]<\/p>\n","protected":false},"author":2,"featured_media":12521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[865],"tags":[688,638,969,671,683,537],"class_list":["post-12522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fantasy-foceni","tag-cerne-svetlo","tag-decenska-jeskyne","tag-fotostudio-braehler","tag-kaple-svateho-jiri","tag-modelka-foceni","tag-stary-hrbitov-v-bonnu","entry","has-media"],"_links":{"self":[{"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/posts\/12522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/comments?post=12522"}],"version-history":[{"count":0,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/posts\/12522\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/media\/12521"}],"wp:attachment":[{"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/media?parent=12522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/categories?post=12522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klaus-maresch.photography\/cs\/wp-json\/wp\/v2\/tags?post=12522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}